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<channel>
	<title>Rachel Loh</title>
	<link>https://rachelloh.cargo.site</link>
	<description>Rachel Loh</description>
	<pubDate>Thu, 08 Jun 2023 12:09:49 +0000</pubDate>
	<generator>https://rachelloh.cargo.site</generator>
	<language>en</language>
	
		
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		<title>Home</title>
				
		<link>https://rachelloh.cargo.site/Home</link>

		<pubDate>Mon, 20 Dec 2021 16:58:17 +0000</pubDate>

		<dc:creator>Rachel Loh</dc:creator>

		<guid isPermaLink="true">https://rachelloh.cargo.site/Home</guid>

		<description>
	ABOUT
	Rachel Loh&#38;nbsp;︎

Visual thinker and creative. &#38;nbsp;</description>
		
	</item>
		
		
	<item>
		<title>About Me</title>
				
		<link>https://rachelloh.cargo.site/About-Me</link>

		<pubDate>Mon, 20 Dec 2021 16:58:17 +0000</pubDate>

		<dc:creator>Rachel Loh</dc:creator>

		<guid isPermaLink="true">https://rachelloh.cargo.site/About-Me</guid>

		<description>About Me&#38;nbsp;︎


&#60;img width="1080" height="1080" width_o="1080" height_o="1080" data-src="https://freight.cargo.site/t/original/i/807843db01d5dabf31b3f3a7111c38e4130924555314c77c908d395d390e14c6/RachelLoh_StudentPortrait.jpg" data-mid="179248642" border="0" data-scale="15" src="https://freight.cargo.site/w/1000/i/807843db01d5dabf31b3f3a7111c38e4130924555314c77c908d395d390e14c6/RachelLoh_StudentPortrait.jpg" /&#62;


Rachel is a visual communicator who believes that design provides a strong agency in challenging our preconceptions which in turn inspires us to constantly reimagine the everyday. With a human-centric methodology, she pursues this through a rigorous process of research as well as a multi-disciplinary approach in order to create design that is meaningful. &#38;nbsp;
A true introvert at heart, you would find me most of the time with my headphones stuck to my head or slowly catching up to the vast storytelling of the anime One Piece. Other times you would find me updating my Instagram photography junk account (@loh.rach).&#38;nbsp;



ExperienceKLOSH: Graphic Designer (Feb 2020–July 2020)
KLOSH: Design &#38;amp; Marketing Intern (July 2019–Jan 2020)
Singapore Symphony Orchestra (SSO): Marketing &#38;amp; Customer Experience Intern (Sept 2018–Mar 2019)

AchievementHighly Commended for Creative Conscious Award (2022)

Education
Goldsmiths, University of London
LASALLE College of the Arts: BA(Hons) in Design Communication (2020–2023)
First Class Honors

Ngee Ann Polytechnic: Diploma in Arts Business Management (2016–2019)


Contact
rachelloh1906@gmail.com</description>
		
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	<item>
		<title>Reimagining Cosmopolis</title>
				
		<link>https://rachelloh.cargo.site/Reimagining-Cosmopolis</link>

		<pubDate>Fri, 19 May 2023 14:48:31 +0000</pubDate>

		<dc:creator>Rachel Loh</dc:creator>

		<guid isPermaLink="true">https://rachelloh.cargo.site/Reimagining-Cosmopolis</guid>

		<description>Reimagining CosmopolisRachel Loh
Reimagining Cosmopolis seeks to redefine Singapore’s exclusionary interpretation of a cosmopolis through the experiences of the transnational migrant working class by examining the spatial politics specifically in this highly curated setting. By subverting the current views of cosmopolitanism in hopes to have a more emancipatory outlook, a study on the transient nature and spatial mobility of Malaysian blue collar workers are examined to investigate how these bodies that sweat, those that endure arduous labor, are treated and rendered invisible.

With this, this project also proposes a placemaking initiative that hopes to build a sense of belonging and place despite the impermanent nature of a migrant worker in Singapore as an inquiry to how power is projected on a micro scale and mundane space such as a bus stop.&#38;nbsp; 




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It’s Time to Reimagine SingaporeTypology Poster



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Passport, Bus Tickets &#38;amp; Travel Card


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Reimagining CosmopolisSelf-Publication



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Solitary CrowdsPhotography Essay Publication (See full publication here)

</description>
		
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	<item>
		<title>Ordinary Heroes</title>
				
		<link>https://rachelloh.cargo.site/Ordinary-Heroes</link>

		<pubDate>Sun, 20 Mar 2022 15:44:20 +0000</pubDate>

		<dc:creator>Rachel Loh</dc:creator>

		<guid isPermaLink="true">https://rachelloh.cargo.site/Ordinary-Heroes</guid>

		<description>Ordinary HeroesRachel Loh
Award: Highly Commended for the Creative Conscious Award*
Ordinary Heroes is a card game that aims to instil compassion and empathy in children for the older generation.

This project addresses the issue of the ageing population in Singapore and the lack of understanding towards the elderly. We believe that the the values of compassion and empathy would be the most effectively taught at a young age, specifically four to six. Through this game, we hope to create meaningful intergenerational interactions that allows children, parents as well as elderly members of the family to spend quality time together.&#38;nbsp;

*Project was executed and entered as a group

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&#60;img width="2498" height="1764" width_o="2498" height_o="1764" data-src="https://freight.cargo.site/t/original/i/ffb07acfa3c79b79d209a2b8e41835166415086b7432a0ff8b5f72e7c4659153/Screenshot-2023-05-19-at-12.53.30-PM.png" data-mid="179248535" border="0"  src="https://freight.cargo.site/w/1000/i/ffb07acfa3c79b79d209a2b8e41835166415086b7432a0ff8b5f72e7c4659153/Screenshot-2023-05-19-at-12.53.30-PM.png" /&#62;
&#60;img width="6962" height="4923" width_o="6962" height_o="4923" data-src="https://freight.cargo.site/t/original/i/c4eebd9028c5144e9b8e8395f7cc65357f809c4f0de1783cbf8daa4ada604849/Creative-Conscience-Presentation-Board_260222_Page_6.jpg" data-mid="136972401" border="0"  src="https://freight.cargo.site/w/1000/i/c4eebd9028c5144e9b8e8395f7cc65357f809c4f0de1783cbf8daa4ada604849/Creative-Conscience-Presentation-Board_260222_Page_6.jpg" /&#62;</description>
		
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	<item>
		<title>Intimacy - A Sense of Place</title>
				
		<link>https://rachelloh.cargo.site/Intimacy-A-Sense-of-Place</link>

		<pubDate>Mon, 20 Dec 2021 16:58:17 +0000</pubDate>

		<dc:creator>Rachel Loh</dc:creator>

		<guid isPermaLink="true">https://rachelloh.cargo.site/Intimacy-A-Sense-of-Place</guid>

		<description>Intimacy - A Sense of PlaceRachel Loh

A park is commonly seen with people doing leisure activities to relax and enjoy. However, in Singapore, where it is a small country, places are often planned out in a very detailed and precise manner and are often built close together due to the lack of land.

East Coast park was a project mainly built on reclaimed land and it was created with a mindset for “recreation for all”. With this, I want to focus how various people that visit the park interact with this man made environment in a spaced constraint setting. It also brings in this issue of the artificiality of curated nature where roads, food centers and playgrounds are carefully planned to cater to the people’s needs which then forces an intamate relationship between human and nature.







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</description>
		
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	<item>
		<title>You Were Here &#124; Wish You Were Here</title>
				
		<link>https://rachelloh.cargo.site/You-Were-Here-Wish-You-Were-Here</link>

		<pubDate>Mon, 20 Dec 2021 16:58:18 +0000</pubDate>

		<dc:creator>Rachel Loh</dc:creator>

		<guid isPermaLink="true">https://rachelloh.cargo.site/You-Were-Here-Wish-You-Were-Here</guid>

		<description>You Were Here &#124;&#38;nbsp;Wish You Were Here &#38;nbsp;Rachel Loh

“You Were Here &#124; Wish You Were Here” explores the relationship between my father who has to work overseas and I. Often when a parent has to work abroad, they do not have much choice which has led to an absence of a father figure during
my childhood.
Photographs shown are of personal archive and was presented in an artist book. It narrates a story from two perspectives of distance between my father who had to adjust quickly to living in a foreign country as well as the feeling of longing I felt as a child.&#38;nbsp;

*Artist’s book can be read from both sides
View Microsite 



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&#60;img width="3000" height="2250" width_o="3000" height_o="2250" data-src="https://freight.cargo.site/t/original/i/a8404513c9bac577ef8e6176a174fa7053e74010d19ecef8c29ff59440d3cf41/you-were-here-wish-you-were-here-page-3.jpg" data-mid="128018706" border="0"  src="https://freight.cargo.site/w/1000/i/a8404513c9bac577ef8e6176a174fa7053e74010d19ecef8c29ff59440d3cf41/you-were-here-wish-you-were-here-page-3.jpg" /&#62;&#60;img width="3000" height="2250" width_o="3000" height_o="2250" data-src="https://freight.cargo.site/t/original/i/adbfbe8009d6df9c24bac0e7945ceeec52f22848d3954ed99377a68cb1c7c9fb/you-were-here-wish-you-were-here-page-2.jpg" data-mid="128018324" border="0" data-scale="64" src="https://freight.cargo.site/w/1000/i/adbfbe8009d6df9c24bac0e7945ceeec52f22848d3954ed99377a68cb1c7c9fb/you-were-here-wish-you-were-here-page-2.jpg" /&#62;

&#60;img width="3000" height="2250" width_o="3000" height_o="2250" data-src="https://freight.cargo.site/t/original/i/519caea7a5d3b411b220a3bbc319be2cf28c35aa7bb92f32b5b69a31f9e57bc2/you-were-here-wish-you-were-here-title-2.jpg" data-mid="128018956" border="0"  src="https://freight.cargo.site/w/1000/i/519caea7a5d3b411b220a3bbc319be2cf28c35aa7bb92f32b5b69a31f9e57bc2/you-were-here-wish-you-were-here-title-2.jpg" /&#62;

&#60;img width="9922" height="3508" width_o="9922" height_o="3508" data-src="https://freight.cargo.site/t/original/i/a54112f75cb6975719b6f563c36aba0703c46b2a3020e3a83fba5a821337cd2f/you-were-here-wish-you-were-here-board-01.jpg" data-mid="127936882" border="0"  src="https://freight.cargo.site/w/1000/i/a54112f75cb6975719b6f563c36aba0703c46b2a3020e3a83fba5a821337cd2f/you-were-here-wish-you-were-here-board-01.jpg" /&#62;</description>
		
	</item>
		
		
	<item>
		<title>Singapore Biennale 2023: Natasha</title>
				
		<link>https://rachelloh.cargo.site/Singapore-Biennale-2023-Natasha</link>

		<pubDate>Thu, 08 Jun 2023 12:09:49 +0000</pubDate>

		<dc:creator>Rachel Loh</dc:creator>

		<guid isPermaLink="true">https://rachelloh.cargo.site/Singapore-Biennale-2023-Natasha</guid>

		<description>Identity for Singapore Biennale 2023: NatashaRachel Loh
As a hypothetical branding brief, this was a group project that essentially requires us to propose a brand identity for the Singapore Biennale 2023 edition. The theme for this edition was curiously titled “natasha”. As compared to previous editions, this year’s theme leaves a rather open-ended interpretation of who or what
natasha could be.&#38;nbsp;&#38;nbsp;


&#60;img width="2274" height="1465" width_o="2274" height_o="1465" data-src="//freight.cargo.site/t/original/i/51c000a3825ccbdef91bfada8c930f91dea7b77867c357adb8d0c56cd98f4465/rev-natashalol-07.png" data-mid="181441695" border="0" style="width: 986.421875px; height: 635.491665px; display: none;"&#62;&#60;img width="2274" height="1465" width_o="2274" height_o="1465" data-src="https://freight.cargo.site/t/original/i/5d5098ec852fb85e3200565d6ca89012bc7b3ee938564c70ab878befc7e63a49/rev-natashalol-07.png" data-mid="181442093" border="0"  src="https://freight.cargo.site/w/1000/i/5d5098ec852fb85e3200565d6ca89012bc7b3ee938564c70ab878befc7e63a49/rev-natashalol-07.png" /&#62;

Once the news of the theme was announced, we were quite perplexed with the direction of the brief. Taking this as inspiration, we were certain that it may not be just us but also the audience that feels this sense of confusion as well as anticipation of what the actual branding and programmes the event would entail. From this, we decided to use the motive of n+? to enforce this sense of mystery of this year’s theme. These were some of the iterations we had done and we decided to go with the merging and blurring of these letters to illustrate the notion of fluidity and open-ended response to natasha.&#38;nbsp;
&#60;img width="2334" height="1200" width_o="2334" height_o="1200" data-src="https://freight.cargo.site/t/original/i/be2c9eaf99d4d1ddf8647508d1766573446fb3ad1291273563d3c8f8279b3a62/rev-natashalol_1.png" data-mid="181441832" border="0"  src="https://freight.cargo.site/w/1000/i/be2c9eaf99d4d1ddf8647508d1766573446fb3ad1291273563d3c8f8279b3a62/rev-natashalol_1.png" /&#62;
These were also some iterations of how the branding would like as a poster as well as on merchandise.
&#60;img width="3893" height="1347" width_o="3893" height_o="1347" data-src="https://freight.cargo.site/t/original/i/ba6e41ff22fe2be53a575bdd75127bb7aaa8857356cafe7c6d2bc56898f7985c/rev-natashalol-06.png" data-mid="181441693" border="0"  src="https://freight.cargo.site/w/1000/i/ba6e41ff22fe2be53a575bdd75127bb7aaa8857356cafe7c6d2bc56898f7985c/rev-natashalol-06.png" /&#62;
&#60;img width="4000" height="2666" width_o="4000" height_o="2666" data-src="https://freight.cargo.site/t/original/i/dbec97b07f2810b887017298b869ffcb95951b46ca1457ec6a57e5e5c0f28696/totebagNATASHA.jpg" data-mid="181441921" border="0"  src="https://freight.cargo.site/w/1000/i/dbec97b07f2810b887017298b869ffcb95951b46ca1457ec6a57e5e5c0f28696/totebagNATASHA.jpg" /&#62;


	
</description>
		
	</item>
		
		
	<item>
		<title>Surrealism: Self-Portrait</title>
				
		<link>https://rachelloh.cargo.site/Surrealism-Self-Portrait</link>

		<pubDate>Mon, 20 Dec 2021 16:58:18 +0000</pubDate>

		<dc:creator>Rachel Loh</dc:creator>

		<guid isPermaLink="true">https://rachelloh.cargo.site/Surrealism-Self-Portrait</guid>

		<description>Surrealism: Self-PortraitRachel Loh
A surrealist take on my self-portrait. I was inspired by the surrealist movement that explore ideas that are unusual and distorted. For this self-portrait, I wanted to encapsulate how I felt while I was still in the midst of completing my first year in University. &#38;nbsp;


&#60;img width="2480" height="3508" width_o="2480" height_o="3508" data-src="https://freight.cargo.site/t/original/i/a5735e697d429f65c1930d9c02d236fe87914363e61ce454393a86fc97506313/surrealism-self-portrait.jpg" data-mid="127938735" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/a5735e697d429f65c1930d9c02d236fe87914363e61ce454393a86fc97506313/surrealism-self-portrait.jpg" /&#62;</description>
		
	</item>
		
		
	<item>
		<title>App Prototype: carboncal</title>
				
		<link>https://rachelloh.cargo.site/App-Prototype-carboncal</link>

		<pubDate>Mon, 03 Jan 2022 12:55:53 +0000</pubDate>

		<dc:creator>Rachel Loh</dc:creator>

		<guid isPermaLink="true">https://rachelloh.cargo.site/App-Prototype-carboncal</guid>

		<description>App Prototype: carboncalRachel Loh
Surfing the Internet has been integrated so seamlessly into our lives to the extent that we tend to use it inconsciously. However, due to the intangible aspect of going digital, it is hard for us to visualize the electricity and carbon footprint ir generates that will later contribute to our Earth’s atmosphere. carboncal aims to educate our audience by visualizing these carbon footprint emission into data for a more conscious practice of using the Internet.&#38;nbsp;&#38;nbsp;




	

&#60;img width="3508" height="2480" width_o="3508" height_o="2480" data-src="https://freight.cargo.site/t/original/i/b6b7e4569475f2e4a962be041d683e71adb7a5b3f9721add55a913a03bd1fd50/carboncal-5.jpg" data-mid="128822649" border="0"  src="https://freight.cargo.site/w/1000/i/b6b7e4569475f2e4a962be041d683e71adb7a5b3f9721add55a913a03bd1fd50/carboncal-5.jpg" /&#62;
&#60;img width="3508" height="2480" width_o="3508" height_o="2480" data-src="https://freight.cargo.site/t/original/i/6a36d44ded089082cedf668b38f30b4594f89238cb684d666c5dc1aa029f1bbd/carboncal-cover-page.jpg" data-mid="128818066" border="0"  src="https://freight.cargo.site/w/1000/i/6a36d44ded089082cedf668b38f30b4594f89238cb684d666c5dc1aa029f1bbd/carboncal-cover-page.jpg" /&#62;
&#60;img width="3508" height="2480" width_o="3508" height_o="2480" data-src="https://freight.cargo.site/t/original/i/8c505249c17999e67a434f35315827ee0e79d2f188d8229cc45b27a688eb0573/carboncal-1.jpg" data-mid="128822644" border="0"  src="https://freight.cargo.site/w/1000/i/8c505249c17999e67a434f35315827ee0e79d2f188d8229cc45b27a688eb0573/carboncal-1.jpg" /&#62;
&#60;img width="3508" height="2480" width_o="3508" height_o="2480" data-src="https://freight.cargo.site/t/original/i/52d19ef22a3845d44eaa77885e249137873c2c309aac7a691967c60c87b236e1/carboncal-2.jpg" data-mid="128822646" border="0"  src="https://freight.cargo.site/w/1000/i/52d19ef22a3845d44eaa77885e249137873c2c309aac7a691967c60c87b236e1/carboncal-2.jpg" /&#62;
&#60;img width="3508" height="2480" width_o="3508" height_o="2480" data-src="https://freight.cargo.site/t/original/i/955e113d222ba473d4ffe36845c807eb47f5bbeebc22e4b27026234f139b96d2/carboncal-4.jpg" data-mid="128822648" border="0"  src="https://freight.cargo.site/w/1000/i/955e113d222ba473d4ffe36845c807eb47f5bbeebc22e4b27026234f139b96d2/carboncal-4.jpg" /&#62;
&#60;img width="3508" height="2480" width_o="3508" height_o="2480" data-src="https://freight.cargo.site/t/original/i/1429f86547e05fc86341fc4518f7e4520cd6d52b3cc5cd35257dd0420d25ec38/carboncal-3.jpg" data-mid="128822647" border="0"  src="https://freight.cargo.site/w/1000/i/1429f86547e05fc86341fc4518f7e4520cd6d52b3cc5cd35257dd0420d25ec38/carboncal-3.jpg" /&#62;
Figma. &#38;nbsp;(Click on play at the top right to see app prototype)</description>
		
	</item>
		
		
	<item>
		<title>Systems &#38; Freedom in Type</title>
				
		<link>https://rachelloh.cargo.site/Systems-Freedom-in-Type</link>

		<pubDate>Wed, 22 Dec 2021 15:45:31 +0000</pubDate>

		<dc:creator>Rachel Loh</dc:creator>

		<guid isPermaLink="true">https://rachelloh.cargo.site/Systems-Freedom-in-Type</guid>

		<description>Systems &#38;amp; Freedom in TypeRachel Loh

This project explores letterform and what makes a letter recognizable to us. By pushing the legibility while still sticking to the grid system, my final outcome was a poster with the various weights of light, regular and bold of the letter C. &#38;nbsp;&#38;nbsp;


&#60;img width="6400" height="5000" width_o="6400" height_o="5000" data-src="https://freight.cargo.site/t/original/i/b65a45e5a55302242c3ab6ee9835158c7b6d1d017a73aea584a4e9ee03799dfd/Systems-and-Freedom-Type-Poster.jpg" data-mid="128027008" border="0"  src="https://freight.cargo.site/w/1000/i/b65a45e5a55302242c3ab6ee9835158c7b6d1d017a73aea584a4e9ee03799dfd/Systems-and-Freedom-Type-Poster.jpg" /&#62;

Process

Before I begin the process of ideating my letter with a grid system. I first compiled a library of images that I could refer to that resembes each letter in alphabetical order. This eases me into thinking letters as shape and form rather than letters to simply read. This also allowed me to examine what specific characteristics in each letter that makes it recognizable to us.&#38;nbsp;


	
&#60;img width="4961" height="3508" width_o="4961" height_o="3508" data-src="https://freight.cargo.site/t/original/i/ebb8690edc6816dbebee0b747838a166a0001724ec72ba75dad900c92acb7396/a-h.jpg" data-mid="136620965" border="0"  src="https://freight.cargo.site/w/1000/i/ebb8690edc6816dbebee0b747838a166a0001724ec72ba75dad900c92acb7396/a-h.jpg" /&#62;
&#60;img width="4961" height="3508" width_o="4961" height_o="3508" data-src="https://freight.cargo.site/t/original/i/20d770dd6db632ce5275c2dc22f5c3e98aae4cb7aed71ab705c3f2c2e52f5c74/q-x.jpg" data-mid="136620967" border="0"  src="https://freight.cargo.site/w/1000/i/20d770dd6db632ce5275c2dc22f5c3e98aae4cb7aed71ab705c3f2c2e52f5c74/q-x.jpg" /&#62;

	
&#60;img width="4961" height="3508" width_o="4961" height_o="3508" data-src="https://freight.cargo.site/t/original/i/6d2e6efd8352b7723f758e3d80f071883dd7410bc6dbc4944d335bf95c348d9b/i-p2.jpg" data-mid="136620966" border="0"  src="https://freight.cargo.site/w/1000/i/6d2e6efd8352b7723f758e3d80f071883dd7410bc6dbc4944d335bf95c348d9b/i-p2.jpg" /&#62;
&#60;img width="4961" height="3508" width_o="4961" height_o="3508" data-src="https://freight.cargo.site/t/original/i/def79f5eafe52f9f092d410ab6dfa53cab502806efba620c846f8632ac79d531/y-z-copy.jpg" data-mid="136621361" border="0"  src="https://freight.cargo.site/w/1000/i/def79f5eafe52f9f092d410ab6dfa53cab502806efba620c846f8632ac79d531/y-z-copy.jpg" /&#62;



These were some iterations of the letter the letter C.I mainly used minimal points to create a letter. I was interested in how even with minimal points and negative spaces, our eyes are still able to make out the letter. I have also designed with the idea that if it was sliced in half, the shape of the letter will be reflected accordingly. From this, I have kept the distinct characteristics and integrity of the letter such as the uniformed curve and the negative space inside it.&#38;nbsp;&#38;nbsp;


&#60;img width="2481" height="3508" width_o="2481" height_o="3508" data-src="https://freight.cargo.site/t/original/i/ca5c0b425661ca45382ac5303c9c8b7f7baa28542ac5bc5bc2632a62feeb66c1/process_2.gif" data-mid="136822734" border="0"  src="https://freight.cargo.site/w/1000/i/ca5c0b425661ca45382ac5303c9c8b7f7baa28542ac5bc5bc2632a62feeb66c1/process_2.gif" /&#62;
&#60;img width="2481" height="3508" width_o="2481" height_o="3508" data-src="https://freight.cargo.site/t/original/i/36bca8feddf83478f5401148406fe15d7ef4b7aef8501ec30093a0685149eacf/process_3.gif" data-mid="136828088" border="0"  src="https://freight.cargo.site/w/1000/i/36bca8feddf83478f5401148406fe15d7ef4b7aef8501ec30093a0685149eacf/process_3.gif" /&#62;


However, with more observations on the letter, I found that the letter felt too flat. With this, I came up with another iteration of the letter with multiple different sizes for the points to give a sense of movement and make it more dynamic. The use of using multiple sizes was to give a dinimishing effect as well.&#38;nbsp;&#38;nbsp;


&#60;img width="2481" height="3508" width_o="2481" height_o="3508" data-src="https://freight.cargo.site/t/original/i/4dfb59c675c06f17823c2ff24c9b1a864ee4bd993639625828a81d103d1ea38a/process_4.gif" data-mid="136833805" border="0" data-scale="35" src="https://freight.cargo.site/w/1000/i/4dfb59c675c06f17823c2ff24c9b1a864ee4bd993639625828a81d103d1ea38a/process_4.gif" /&#62;


Once I had the final iterations finalized, I started to work on the poster design of my letter. What was important was to clearly communicate the form and the 3 different weights of the letter. This was one of my drafts I did and with some feedback, th main element that could have been improved was to showcase the different weights with more clarity. With this in mind, I went back to make some minor adjustments to my letter.&#38;nbsp;


&#60;img width="7017" height="9934" width_o="7017" height_o="9934" data-src="https://freight.cargo.site/t/original/i/6960a1a5da6d2587c480552636eda17ca4a90b1263625d313ab9a977b9d4027b/poster-process-05.png" data-mid="136832170" border="0" data-scale="47" src="https://freight.cargo.site/w/1000/i/6960a1a5da6d2587c480552636eda17ca4a90b1263625d313ab9a977b9d4027b/poster-process-05.png" /&#62;
With this in mind, I have made minor refinements for my weights so that the differentiation would be more apparent. I have changed the points by making minor increments to the letter.&#38;nbsp;


&#60;img width="7017" height="9934" width_o="7017" height_o="9934" data-src="https://freight.cargo.site/t/original/i/5d9ff7d062745cd1f1de04aa4c1a7ed1b6b03153a2b9ac043a892bc2a76dab19/final-04.png" data-mid="136835240" border="0"  src="https://freight.cargo.site/w/1000/i/5d9ff7d062745cd1f1de04aa4c1a7ed1b6b03153a2b9ac043a892bc2a76dab19/final-04.png" /&#62;
&#60;img width="2481" height="3508" width_o="2481" height_o="3508" data-src="https://freight.cargo.site/t/original/i/4c7e3a66db1ac393d39e7c74695fe7d4a4239542d49a0a0433e08a079b30d10e/process_1-01.gif" data-mid="136820321" border="0"  src="https://freight.cargo.site/w/1000/i/4c7e3a66db1ac393d39e7c74695fe7d4a4239542d49a0a0433e08a079b30d10e/process_1-01.gif" /&#62;
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